A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Entrant | Category | Project | Youth? | Sponsor | ||||||||||||
2 | Abbatissa ingen Iohne | Embroidery | Mitre of Minden is from the 1400s made from silk with silver motifs and pearls and silk embroidery. On the front is the Annunciation and on the back the Virgin Enthroned. | No | HL Fiondel Songspinner | ||||||||||||
3 | Aemiliana Villiani | Clothing/Costuming | Mid 12th century sewing, under and over tunic. A handsewn underdress and handfinished overdress in the anglo norman mid 12th century style. Flannel was substituted as entrant is allergic to wool. With original drafting and design. | No | HL Sethrun Magoinghous | ||||||||||||
4 | Aethelwyn Aethelredson | Beverages | Liqueurs. Various flavors of liqueurs made with a base of brandy or vodka and flavored with fruits, nuts, and/or spices. | No | Caoilfhionn inghean Cheallaigh ui Mhordha | ||||||||||||
5 | Agnes von Heidelberg | Cooking-Single Dish | Oranges of Xativa which are Cheesecakes--A 16th Century Spanish recipe for a fried cheesey bread. | No | Mistress Gwen A'Brooke | ||||||||||||
6 | Aislinn Justinius | Instruments, Musical, String | Waisted, 5-string Vielle. A 5-String Vielle, later form, based on illuminations from the Cantigas de Santa Maria and other sources, with bow. | Yes | Master Kazimierz Verkmastare | ||||||||||||
7 | Aleit de la Thomme | Jewelry | Portrait of a young girl necklace. A recreation of the necklace from Petrus Christus' Portrait of a Young Girl c 1460-1470. | No | Mistress Roise ni Ullachain | ||||||||||||
8 | Alessandra de Piro | Candle Making | Hand poured twisted beeswax candles based off of several illuminations. | No | HL Katherine de Heilige | ||||||||||||
9 | Andromir Vukovic | Footwear | Simple Medieval Shoe. I will be replicating a shoe found in Western Europe dating back to the 9-13th Century to be judged at the Queen's Prize Tournament. Thank you in advance. | No | HL Katherine de Heilige | ||||||||||||
10 | Angela Mulier DiLucian | Illumination | All Women are Mothers of the World. I am doing an illumination, inspired by a 15th century painting by Lorenzo Monaco. | No | Mistress Nikolena Martinovna Popriadukhina | ||||||||||||
11 | Anna Plantyn | Spinning | Hand spun wool for nalbinding. Single ply wool spun for nalbinding. Hand spun on a bottom whorl drop spindle. | No | Mistress Nikolena Martinovna Popriadukhina | ||||||||||||
12 | Anne Renarde | Weaving, Standard | Servers Towel-A 14th Century linen servers towel, woven in a diaper 2/2 twill. | No | HE Catalina de Arezuri | ||||||||||||
13 | Annora Reyner | Clothing/Costuming | A complete ensemble for a middle class Tudor man circa 1525. This outfit will include fitted joined hosen, shirt, doublet, and gown. All items handsewn with linen thread. | No | HG Magdalena vander Meere | ||||||||||||
14 | Apple Night | Writing | Wordsmithing AOA scrolls--Text for a set of AOA level scrolls | No | HE Slaine ni Chiarain | ||||||||||||
15 | Appollos of Mag Mor | Illumination | Illuminated Scroll. Entrant will present a hand painted/illuminated piece. This is a Child entry. | Yes | HL Ingeborg bildsbriotr Ulfsdottir | ||||||||||||
16 | Atsutaka | Illumination | Illuminated Capital Letter with border illumination for medieval recipe. | No | HE Gracye of Lokwode | ||||||||||||
17 | Aviendha | String Manipulation | Lucet. A selection of different lucet cords demonstrating different media for the technique as it might be used in period. | Yes | Mistress Thora Sigurdsdottir | ||||||||||||
18 | Belinda | Weaving, Band/Tablet/Inkle | Tubular tablet weaving. Tube weaving on tablets. | No | HL Gyða Glora | ||||||||||||
19 | Bella de Greene | String Manipulation | Woven Cord for Scrolls. Youth entry. Several woven cords for seals on scrolls. | Yes | Mistress Cassandra di Capelletti | ||||||||||||
20 | Beocca the fair of Hastings | Clothing/Costuming | 15th century Burgundian Hoopalaund--Bungundian Hoopalaund includes, three layers, brocade linen chamise, gold silk kirtle and the over dress made of velvet linen brocade, black linen lining, with black wool on the belt (tenitivly), Hennin with silk veil, and wool on the bitten of the dress. Wrist and coller are black fox fur. | No | Mistress Genevieve Penrose | ||||||||||||
21 | Bjarki Vikarason | Armor | 10th Century Norse Spangenhelme. I assembled a 10th Century Spangenhelme through the process of cold steel forging and finishing the helm to be used for heavy fighting. | No | HE Vaclav Semjaka | ||||||||||||
22 | Brianna Talbot | Cooking, Single Dish | Pickling--A comparison in pickling of eggs, onions, and carrots in red wine vinegar and cider vinegar. | No | Master Alan of Darkdale | ||||||||||||
23 | Bridget Magaoinghous | Felt Making | Felted Wool Pouch | Yes | HL Seathrun Magaoinghous | ||||||||||||
24 | Bryan of Loch Rannoch | Weaving, Standard | The Tartan I Weave. Woven plaid of the type that would become a clan tartan after the SCA period. | No | HL Cathus the Curious | ||||||||||||
25 | Bryg inghean Lasairiona | Clothing/Costuming | A Skirt. Entry is a hand sewn skirt. The skirt will become the bottom half of an under dress. This is a child's entry. | Yes | HL Ingeborg bildsbriotr Ulfsdottir | ||||||||||||
26 | Cai Dubhghlas | Jewelry | 16th Century collar of state or Livery Collar. This piece is based upon the Collar of Esses from the house of Lancaster, but with a Spanish influence with the use of animal motiff. The piece is cast of pewter and soapstone molds. | No | HL Snow | ||||||||||||
27 | Cassius Acilius Rufus | Armor | Early 15th Century Winged Elbows. A pair of winged elbows from the early 15th century. This is the entrants first armoring project. Youth entry: Age 13 | Yes | Sir Alexander Caithnes of Wyk | ||||||||||||
28 | Catrijn vanden Westhende | Spinning | Handspun wool for weaving and knitting. Two contrasting examples of spinning: a fine 2-ply merino, and a coarser 3-ply Romney; completed on drop spindle. | No | HG Magdalena vander Meere | ||||||||||||
29 | Cecilia de Gatistbury | String Manipulation | Knit "Ecclesiastical" Gloves. A pair of knit gloves using some of the techniques and motifs found in extant Ecclesiastical gloves of the Middle Ages. These gloves are not an exact replica of any extant gloves, but rather an interpretation of those gloves for non-Ecclesiastical use. | No | HG Magdalena vander Meere | ||||||||||||
30 | Cecily Darvell | Clothing Accessories | Early Tudor Headwear. A bonnet, frontlet and paste suitable for a lady at the court of Henry VII. | No | Mistress Elianor de Morland | ||||||||||||
31 | Cecily FitzWaryn | Weaving, Band/Tablet/Inkle | Exploring Basic Tabletweaving. A journal of what went right and what went wrong during the weaving of my first three tabletwoven bands. | No | HL Annika Rauscharin | ||||||||||||
32 | Ceilidh Aemilius | Instruments, Musical, String | 3-string Tenor Rebec.A 3 string tenor rebec, 14-15th century, built and carved with a nautical motif. | Yes | Master Kazimierz Verkmastare | ||||||||||||
33 | Cesare di Lodovico Malefici | Writing | Three Tales of Calontir-I am composing three tales based upon the writings of the Ulster cycle and the Fenian Cycle. All are a body of medieval Irish heroic legends and sagas of the Ulaid, the areas currently known as Ulster and Leinster. It is one of four great cycles. The ulster cycles were formerly The Red Branch Cycle, you also have the White Book of Rydderch, The Red book of Hergest, The Yellow book of Lecan. Also with this is the book of Leinster. The famous stories from this series are the Tain Bo Cuailnge (the cattle raid of cooley) and the stories of Cu Chulainn. It is ambitious at best but one most strive for something. | No | Mistress Thora Sigurdsdottir | ||||||||||||
34 | Chiara di Paxiti | Research Paper | The Creation of the Scroll Texts for the Reign of Damien and Issabell--This paper is a discussion of the process of creating the AoA-level scroll texts for Their Majesties' reign. | No | HE Ishmala bint Yuhannah | ||||||||||||
35 | Chloee Phillips | Clothing/Costuming | 12th Century Bliaut. Chloee is eight years old and she designed, drafted, cut and constructed her 12th Century Bliaut. She chose straight sleeves instead of Maunches because "I plan to wear this for work and play!". She chose not to do side laces. | Yes | HL Violet Sinclair | ||||||||||||
36 | Constanza Marina de Huelva | Cooking, Single Dish | Todo tipo de bunuelos. This is a comparative study of Capitulo V: para hacer todo tipo de bunuelos (Chapter 5: In Order to make every type of fritter) in Libro de arte culinaria de Martino da Como. I'm looking at ingredients and preparation methods as well as completing the redactions for the eight recipes found in this chapter. | No | Mistress Fionnuala inghean Fhearghuis | ||||||||||||
37 | Danilyn | Glasswork | Simple Stained Glass (Child's Entry). I made a stained glass window piece that looks like a 15th century st George's shield. | Yes | HL Aline Swynbrooke | ||||||||||||
38 | Davian | Games, Toys, and Dolls | Everyday toys and games. Davin is 4 1/2, daughter of Severin Svendottir aka Severin Roberts. Davian is creating everyday toys and games for her entry! | Yes | HE Catalina de Arezuri | ||||||||||||
39 | Denise Lecourt | Weaving, Band/Tablet/Inkle | Tablet Weaving. Egyptian inspired tablet weaving. Purple & gold, silk band woven based on a piece found in Egypt. | No | HE Ishmala bint Yuhannah | ||||||||||||
40 | Devin (Son of Lady Angela) | Illumination | Early Period Influenced Illuminated Border. Devin is creating an illuminated border. His natural artistic style is reminiscent of early period, and he loves dragons.He is 13 years old. | Yes | HL Elynor of Glastonbury | ||||||||||||
41 | Dragomir Sasul | Poetry | Triolets. A few (3-5) Triolets based on the original French format (ABaAabAB) that was based in the late 13th century. In French with English translations. | No | HE Slaine ni Chiarain | ||||||||||||
42 | Duncan MacTorquill | Leatherwork | 14th Century Pouch. A 14th century pouch based on a Norwegian archaeological find. The design was common throughout Europe. | No | HG Isabeau de Beauxyeux | ||||||||||||
43 | Duncan of Skeene | Research Paper | The European Renaissance is seen by many as the most rapid growth in human intellect and society in the history of man, but is this statement true? There were other civilizations earlier in history that made great leaps in science, technology, and civilization previous to the swift advancements in Europe. Did one of these earlier advanced societies a have major influence on Europe? I intend through the posing of detailed questions to answer this mystery. I propose that the European Renaissance was accelerated by contact with both the Islamic Empires of the east and the Mongol Hoards of the Far East. The knowledge that was shared advanced European thinking at an unnatural rate allowing the sciences to grow in the West much faster than could have occurred without this contact with the East. The transition from the Dark Ages to the Renaissance would still have happened. I just believe that the transformation would have taken much longe r if Europeans had to actually establish these advanced scientific thoughts instead of just borrowing from already recognized Islamic discoveries. Some scholars and students will want to argue that the Middle East is backward and far behind the Western World today, I will attempt shed some light on what has become of the Middle East, what happened, why has the Middle East fallen so far behind the West today and what caused these two societies to basically switch roles? | No | Mistress Jorun Eydisardottir | ||||||||||||
44 | Edward Blythe | Miscellaneous, Science | Hand-bound book. Hand bound book. Paper folded and sewn together then glued to a spine an cover. Spine and cover consisting of leather wrapped wood. | No | HE Akitsuki Yoshimitsu | ||||||||||||
45 | Elijah (Son of Lady Angela) | Leatherwork | A leather bag based on existing period remains. | Yes | HE Kajsa Nikulasdotter | ||||||||||||
46 | Elizabeth MacGavin | Metalwork | Pewter casting - researching design, carving soapstone mold, pouring pewter. | Yes | HE Ishmala bint Yuhannah | ||||||||||||
47 | Emme Ziegler | Embroidery | A small tapestry inspired by the Malterer Hanging. Klosterstich | No | HL Katherine die Heilege | ||||||||||||
48 | Eowyth þa Siðend | Equestrian Attire | Medieval Caparison (~15th Century)-A late (SCA) period equestrian caparison. The full-body style can be seen across several centuries, but the heraldic & style specific to mine can be more easily documented to 15th-early 16th Century English jousting manuscripts. | No | HL Richard de Bleys | ||||||||||||
49 | Eric the Colorer | Illumination | Caid Argent Arrow Award. Argent arrow award for skaldor haptason, a scroll I was originally assigned, and never finished properly. I ran into skaldor in st Joe Missouri, and believe his scroll deserves to be completed, and delivered even if it is some fifteen years or more late. | No | HL Leopold Heinrich Von Rufkhar | ||||||||||||
50 | Eric Thorn | Leatherwork | Tooled leather covered bible box. This is a tooled leather covered box to house an very old Family Bible. | No | Master Eadweard | ||||||||||||
51 | Esa Southwick | Clothing/Costuming | Norse Apron Dress. | No | Master Jack Banyard | ||||||||||||
52 | Esteban ed Valencia | Woodwork | Rope bed with carved bed posts--Queen sized Cedar rope bed with carved rope design bed potst | No | HL Simonne Marguerite de la Rochelle | ||||||||||||
53 | Eva Celensoen | Armor | Lamellar body armour | No | HL Seathrun Magaoinghous | ||||||||||||
54 | Eva Grimwulfsdottir | Jewelry | My Viking Hoard Bracelet. Youth entry stamped bracelet and pouch. | Yes | HL Etta Holte | ||||||||||||
55 | Felix (Feliciano Alonzo de Tarragonna) | Footwear | Viking turnshoes. | No | HE Gwyneth Espicier | ||||||||||||
56 | Fransisco Delgadillo | Leatherwork | This is a leather box approximately 15" x 8" to a long side with 8" square side panels. There are 6 feet on the bottom. The top uses overlapping panels with a Viking locking device. Each side is tooled. The bottom is also tooled. The motifs are fleur di lis on the end pieces. The English are storming the Moorish castle on one long side,and on the other side the English are fighting the French. The box is tooled in the European style. | No | HL Caitlin nic Raighne | ||||||||||||
57 | Franz Johann Gottskreiger | Scentific Gadgetry | Glockenwerk. Attempt at recreating in miniature the 13th century "explosion" of clock tower mechanisms designed to ring a series of bells. | No | Master Dammo Utweiler | ||||||||||||
58 | Freygeirr Finnrson | Armor | Chain Hauberk constructed with 14 gauge wire. | No | HL Grimr Skallagrimson | ||||||||||||
59 | Gabrielle von Friedrichstahl | Clothing Accessories | 15th Century Roll Hat. Roll hat embellished with beads. | No | HE Catalina de Arezuri | ||||||||||||
60 | Galen MacColMain | Leatherwork | Leather Shoulder Bag from Novgorod--The goal of this project was to re-create a pouch unearthed in one of the Novgorod excavations as it would have appeared at the time of it's manufacture. The extant piece is housed in the Novgorod Archaeological Museum. It is a pouch with a fold-over flap and an attached shoulder strap. Dating for this item is not mentioned in the source material, but, judging from other items in the same excavation, should be somewhere between the 11th and 12th centuries. | No | Mistress Gillian Warrender | ||||||||||||
61 | Geva de Kent | Beverages | Late Period Red Wine. This project is a red wine made with Cabernet Franc grapes grown in my vineyard. The red wine was made with an extended maceration period, which produces a deeper red color. The research focuses on evidence of maceration times for red wine produced in Europe, especially from the fourteenth century onward. | No | HL Ailith Bystone | ||||||||||||
62 | Ginevra da Ravenna | Clothing/Costuming | Italian Dress 1530s. This is a dress I made in a hurry a number of years ago, for the competition I plan to dismantle it, fix the things that are wrong with it, put it all back together and document it. I will also make a comparison of materials between what I used and what would have been used for the same dress in period. | No | HG Sile O'Kyan | ||||||||||||
63 | Giulia di Grazia | Lacemaking | Bobbin Lace - Le Pompe--Bobbin Lace: Le Pompe. Novice entry using gold (gilt) thread in a period pattern. | No | Mistress Liriel Correll | ||||||||||||
64 | Gretel MacGavin | Weaving, Band/Tablet/Inkle | Inkle weaving: developed the design, chose colors, strung the loom and wove the trim. | Yes | HG Aislinn Morcroft | ||||||||||||
65 | Guenevere Lehman | Clothing Accessories | Whip cording--Cording made of multiple colors with various fibers. | Yes | HG Magdalena vander Meere | ||||||||||||
66 | Günther Klaus von Stuttgart | Painting | Sumi-E Koboku Meikakuzu reproduction. I will use sumi-e, a monochrome Japanese ink wash on rice paper, to reproduce Miyamoto Musashi masterpiece Koboku Meikakuzu (Shrike on a dead tree). | No | HL Violet Sinclair | ||||||||||||
67 | Guy de la Mayne | Heraldic Display | Achievement of Arms. Full Achievement of Arms for a Peer of the Realm | No | HG Isabeau de Beauxyeux | ||||||||||||
68 | Gwendolyn verch Morgaine | Clothing/Costuming | Man's Anglo Saxon outfit based on bog finds | No | Mistress Gillian Warrender | ||||||||||||
69 | Gwenllyn ferch Ithel | Clothing/Costuming | Norse Birka Coat. This entry is a wool Norse coat of a 10th century, Birka design. The garment is dyed with natural dyes and hand sewn. | No | HE Sorcha inghean ui Mhaolain | ||||||||||||
70 | Halldóra Gudnisdottir | Clothing/Costuming | A Norse women's serk, done in heavyweight blue linen. | No | HL Gyða Glora | ||||||||||||
71 | Harriman Pike | Armor | Chain mail shirt made with 12 Gauge stainless steel. The rings are 1/2 inch in size and the pattern in European 4 in 1. Currently it does not have sleeves and am going to test it out for feel and see if I am going to add sleeves or not | No | Halvgrimr Riddari Stormtossed | ||||||||||||
72 | Hedewig Sophien | Cooking, Remove | Merchant's Meal. A 14th century merchant class meal of a main-dish, brown bread, cheese, and drink. | No | HE Salamandra the Whitesmith | ||||||||||||
73 | Helena Soranzo | Clothing/Costuming | Saxon Ladies Gown--I will be entering a 16th century Saxon ladies gown. This gown and accessories are inspired by the works of lucas cranach. | No | Mistress Molly Hathaway | ||||||||||||
74 | Hildibrandr tjúguskegg | Bright Metal | Eastern style Viking seax--The entry will be a scabbard in the style of those found at Birka and Gotland. The main body of the scabbard will be of leather, with elaborate fittings made of a copper alloy. The fittings will include a variety of techniques, such as pierce work, chasing, tinning and riveting. | No | HL Isengrim Sleggja | ||||||||||||
75 | Hirsch Ross Eichmann | Metalwork | Pewter tokens. I'm carving soapstone and pouring pewter tokens. | No | HL Richard de Bleys | ||||||||||||
76 | Hrefna Hallberudottir | Clothing/Costuming | Norse Womans Dress. A simple linen Sert. A wool Sert. A wool Hangerok and wool Dublin Hood. | No | HE Jorunn | ||||||||||||
77 | Ingerborj Nilsdotter | Cooking, Single Dish | Buckwheat cake with pumpkin & molasses. Buckwheat & cornmeal quick bread topped with sorgum molasses and pumpkin prepared with vanilla and cream. | No | HE Salamandra the Whitesmith | ||||||||||||
78 | Isabella de Erbiere | Glasswork | I will be exploring the process of making a glass bead, from making the glass to the end result of making the bead. I will have a research paper and also items that I have made through out the process of making the glass bead, like making glass, the furnace, and bead. | No | Master Eadweard | ||||||||||||
79 | Isobel MacDonald | Clothing/Costuming | 12th Century Wedding Garments--I am entering a Man's and a Women's 12th Century Bliaut. These are actually the garments for Wulfric and my Wedding in September. I have worked closely with Mistress Sile in the design and construction of the garments and am using methods and designs that I have not previously worked with. | No | HG Sile O'Kyan | ||||||||||||
80 | Iulia Kaloethina Eirenikina | Cooking-Remove | 1 year in my kitchen--This project is the culmination of a years worth of recipes and experimentation. It is 12 recipes put together in a single course. The menu is Bread, butter, pork Rissoles, mustard, garlic and herb cheese, Mushroom Bacon tart, Chicken with garlic cooked in wine, cameline sauce, Broom flower soup, Apple raisin tart, fruit Rysschews, and finally sweet cheese. | No | Mistress Gwen A'Brooke | ||||||||||||
81 | James Inn Danski | Other | Gourd drinking flasks. Two different types of gourd drinking flsks or bottles. | No | HL Paul Adler | ||||||||||||
82 | Janos Katona | Archery Equipment | Wooden Recurve Bow. Entry is a sinew-backed hickory recurve bow, made from lumber but shaped only with period tools. Recurve was formed with heat within the wood itself, and acts as a static recurve to increase bow efficiency. | No | HL Banba MacDermot | ||||||||||||
83 | Jantije Goudenpaard | Embroidery | Dutch-Style Exampler--Counted-work sampler in the Dutch style, 16th c. | No | Countess Fionna nic Alisdar | ||||||||||||
84 | John Lasairionason | Miscellaneous, Art | Who Was Leonardo Da Vinci. A presentation on Leonardo Da Vinci that will include a bit about most aspects of his life. Entry will also include an entrant painted reproduction of a painting done by Da Vinci. This is a child's entry. | Yes | HL Ingeborg bildsbriotr Ulfsdottir | ||||||||||||
85 | Judith of Three Rivers | Lacemaking | Bobbin Lace. Using a pattern from "Le Pompe: Libro Secondo" and other sources, I have re-created a piece of linen bobbin lace. | No | HL Rowan Houndskeeper | ||||||||||||
86 | Julia Bresci | Other | Turning a Page--Repurposing reed, cloth and other materials to make scribal parchment/paper. Researching and attempting to utilize period techniques for the use of making said materials. Utilizing said attempts with paint and seeing how well they work for scribal needs. Adapting mixtures if needed, to make a better paper. | No | Mistress Alcynon Luminore | ||||||||||||
87 | Juliana della Rena | Weaving, Band/Tablet/Inkle | Birka Inspired Tablet Weaving. Tablet woven band based on those found at Birka. Purple and Gold 20/2 silk. | No | HL Jaida de Leon | ||||||||||||
88 | Kamiizumi Hirotaro | Other | Handful? What the Heck's a Handful? This crosses "Beverages" and "Cooking." Kinda. Maybe "Miscellaneous Science-y Stuff." Period and early post-period cooking and brewing recipes often refer to quantities in "handfuls." While this will provide a specific individual with a consistent recipe, it could lead to significant variation if the recipe is used by another person. I will be collecting data to track the variation in hand sizes as it translates to weight and volume, as well as the types of handfuls, and then preparing multiple batches of the same baked item recipe using the variation demonstrated by the data. | No | HL Aldred Lyccidfeld | ||||||||||||
89 | Kathryn Wynterbourne | Clothing Accessories | Open hood construction. Three open hoods, one machine sewn the other two by hand with one unfinished so construction can be seen. | No | HL Giraude Benet | ||||||||||||
90 | Keldon | Footwear | Beginners boots. My entry is viking leather handmade boots. I didn't do the pattern but I did everything else. | Yes | HL David Ben Benjamin | ||||||||||||
91 | Killian Spangler | Armor | Velsguard Helm--Hand cut and hammered helm, using shears, grinder and pounding out each peace. My first attempt at making a helmet for fighting. | No | HE Eric St. Leger | ||||||||||||
92 | Kitten | Cooking, Single Dish | Cake! Researching and making cake! | Yes | HL Jaida de Leon | ||||||||||||
93 | Konstantia Kaloethina | Illumination | An illumination from the Calontir Rabbulas. Based on an illumination found in the Rabbula Gospels, a 4-7th century Byzantine illuminated Bible, this depicts the voices of Calontir's past conversing with Calontir's present. | No | HL Aline Swynbrooke | ||||||||||||
94 | Krystyn i Lund | Clothing/Costuming | Personal heraldry sideless surcoat. I'm sewing my sideless surcoat and paint my personal device onto it. | No | Master Sygtrygg Foamcarver | ||||||||||||
95 | Lasairiona inghean Talmh | Herbalism | Cough Syrup. I will discuss cough remedies in period and present a finished version of an effective cough remedy that could have been used in period. | No | HE Gwyneth Espicier | ||||||||||||
96 | Lea Ann Pugh | Illumination | Heroic Horses. Illumination and calligraphy based on text and images found in, and styled after, the Aberdeen Bestiary. | No | Mistress Cassandra di Capelletti | ||||||||||||
97 | Leatherhand | Beverages | Cold Sake. A beverage that is sweet and tasty. Taking rice and converting it to an enjoyable drink. The recipe used in this entrant is of my own creation. Inspiration was taken form different sake made by others. Taking tastes and processes to achieve a beverage that is pleasing. | No | HL Rowan Houndskeeper | ||||||||||||
98 | Leonardus O | Musical Performance, Vocal | Wings, Golden Wings. Performance of a self-written "Calontir Patriotism" song. Seeking to write a song for Calontir that captures the essence of what I feel (and think others feel) when thinking of the Kingdom we call home. | No | Master Sygtrygg Foamcarver | ||||||||||||
99 | Leslie Smith | Clothing Accessories | Brief Study of Medieval to Tudor Adornment. This is the beginning of an in-depth analysis of the techniques, materials, and styles of Medieval, Renaissance, and Tudor clothing adornments and jewelry. This will include rosaries and prayer beads. Various sumptuary laws restricted the wearing of certain textiles, materials, gemstones, styles, and colors to specifically defined classes. Also included is an examination of common beliefs about materials (i.e., coral was believed to have good effects on circulatory health and warded off the evil eye) and information on the state of the technology that existed to produce such embellishments. | No | HL Cathus the Curious | ||||||||||||
100 | Liesl Gelücken | Embroidery | Embroidered glove favor. A glove, embroidered with elements of my heraldry, to be given as a favor and worn on the list field. | No | HE Gillian Warrender |