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Paper Towns Hardcover – October 16, 2008
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Winner of the Edgar Award
The #1 New York Times Bestseller
Publishers Weekly and USA Today Bestseller
Millions of Copies Sold
Quentin Jacobsen has spent a lifetime loving the magnificent Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life—summoning him for an ingenious campaign of revenge—he follows. When their all-nighter ends and a new day breaks, Margo has disappeared. But Q soon learns that there are clues—and they’re for him. Embarking on an exhilarating adventure to find her, the closer Q gets, the less he sees the girl he thought he knew.
#1 Bestselling author of The Fault in Our Stars John Green crafts a brilliantly funny and moving coming-of-age journey about true friendship and true love.
- Print length305 pages
- LanguageEnglish
- PublisherDutton Books
- Publication dateOctober 16, 2008
- Grade level9 - 12
- Reading age14 - 17 years
- Dimensions5.75 x 1.1 x 8.5 inches
- ISBN-100525478183
- ISBN-13978-0525478188
- Lexile measure850L
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John Green’s nonfiction debut is a masterful and deeply moving collection of personal essays about falling in love with the world. “The perfect book for right now.” | Aza is living within the ever-tightening spiral of her own thoughts. Told with shattering, unflinching clarity, this is a brilliant exploration of love, resilience, and the power of lifelong friendship. | “The greatest romance story of this decade.” Hazel and Augustus meet at support group for teens with cancer. | Last words and first loves at boarding school. John Green’s award-winning, genre-defining debut. | The deluxe 5-book set is the definitive collection of John Green’s critically acclaimed fiction. |
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New York Times bestseller
USA Today bestseller
Publishers Weekly bestseller
A Booklist Best Book of the Year
An SLJ Best Book of the Year
A VOYA Best Book of the Year
“Green’s prose is astounding—from hilarious, hyperintellectual trash talk and shtick, to complex philosophizing, to devastating observation and truths.” —SLJ, starred review
“[Green’s] a superb stylist, with a voice perfectly matched to his amusing, illuminating material.” —Booklist, starred review
“Laugh-out-loud humor and heartfelt poignancy.”—Kliatt, starred review
“Green delivers once again with this satisfying, crowd-pleasing look at a complex, smart boy and the way he loves. Genuine—and genuinely funny—dialogue, a satisfyingly tangled but not unbelievable mystery and delightful secondary characters.” —Kirkus
"Stellar, with deliciously intelligent dialogue and plenty of mind-twisting insights…a powerfully great read." —VOYA
"Compelling." —The Bulletin of the Center for Children's Books
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Book Description
About the Author
John lives with his family in Indianapolis, Indiana.
Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
Our subdivision, Jefferson Park, used to be a navy base. But then the navy didn’t need it anymore, so it returned the land to the citizens of Orlando, Florida, who decided to build a massive subdivision, because that’s what Florida does with land. My parents and Margo’s parents ended up moving next door to one another just after the first houses were built. Margo and I were two.
Before Jefferson Park was a Pleasantville, and before it was a navy base, it belonged to an actual Jefferson, this guy Dr. Jefferson Jefferson. Dr. Jefferson Jefferson has a school named after him in Orlando and also a large charitable foundation, but the fascinating and unbelievable-but-true thing about Dr. Jefferson Jefferson is that he was not a doctor of any kind. He was just an orange juice salesman named Jefferson Jefferson. When he became rich and powerful, he went to court, made “Jefferson” his middle name, and then changed his first name to “Dr.” Capital D. Lowercase r. Period.
So Margo and I were nine. Our parents were friends, so we would sometimes play together, biking past the cul-de-sacced streets to Jefferson Park itself, the hub of our subdivision’s wheel.
I always got very nervous whenever I heard that Margo was about to show up, on account of how she was the most fantastically gorgeous creature that God had ever created. On the morning in question, she wore white shorts and a pink T-shirt that featured a green dragon breathing a fire of orange glitter. It is difficult to explain how awesome I found this T-shirt at the time.
Margo, as always, biked standing up, her arms locked as she leaned above the handlebars, her purple sneakers a circuitous blur. It was a steam-hot day in March. The sky was clear, but the air tasted acidic, like it might storm later.
At the time, I fancied myself an inventor, and after we locked up our bikes and began the short walk across the park to the playground, I told Margo about an idea I had for an invention called the Ringolator. The Ringolator was a gigantic cannon that would shoot big, colored rocks into a very low orbit, giving Earth the same sort of rings that Saturn has. (I still think this would be a fine idea, but it turns out that building a cannon that can shoot boulders into a low orbit is fairly complicated.)
I’d been in this park so many times before that it was mapped in my mind, so we were only a few steps inside when I began to sense that the world was out of order, even though I couldn’t immediately figure out what was different.
“Quentin,” Margo said quietly, calmly.
She was pointing. And then I realized what was different.
There was a live oak a few feet ahead of us. Thick and gnarled and ancient-looking. That was not new. The playground on our right. Not new, either. But now, a guy wearing a gray suit, slumped against the trunk of the oak tree. Not moving. This was new. He was encircled by blood; a half-dried fountain of it poured out of his mouth. The mouth open in a way that mouths generally shouldn’t be. Flies at rest on his pale forehead.
“He’s dead,” Margo said, as if I couldn’t tell.
I took two small steps backward. I remember thinking that if I made any sudden movements, he might wake up and attack me. Maybe he was a zombie. I knew zombies weren’t real, but he sure looked like a potential zombie.
As I took those two steps back, Margo took two equally small and quiet steps forward. “His eyes are open,” she said.
“Wegottagohome,” I said.
“I thought you closed your eyes when you died,” she said.
“Margowegottagohomeandtell.”
She took another step. She was close enough now to reach out and touch his foot. “What do you think happened to him?” she asked. “Maybe it was drugs or something.”
I didn’t want to leave Margo alone with the dead guy who might be an attack zombie, but I also didn’t care to stand around and chat about the circumstances of his demise. I gathered my courage and stepped forward to take her hand. “Margowegottagorightnow!”
“Okay, yeah,” she said. We ran to our bikes, my stomach churning with something that felt exactly like excitement, but wasn’t. We got on our bikes and I let her go in front of me because I was crying and didn’t want her to see. I could see blood on the soles of her purple sneakers. His blood. The dead guy blood.
And then we were back home in our separate houses. My parents called 911, and I heard the sirens in the distance and asked to see the fire trucks, but my mom said no. Then I took a nap.
Both my parents are therapists, which means that I am really goddamned well adjusted. So when I woke up, I had a long conversation with my mom about the cycle of life, and how death is part of life, but not a part of life I needed to be particularly concerned about at the age of nine, and I felt better. Honestly, I never worried about it much. Which is saying something, because I can do some worrying.
Here’s the thing: I found a dead guy. Little, adorable nine-year-old me and my even littler and more adorable playdate found a guy with blood pouring out of his mouth, and that blood was on her little, adorable sneakers as we biked home. It’s all very dramatic and everything, but so what? I didn’t know the guy. People I don’t know die all the damned time. If I had a nervous breakdown every time something awful happened in the world, I’d be crazier than a shithouse rat.
That night, I went into my room at nine o’clock to go to bed, because nine o’clock was my bedtime. My mom tucked me in, told me she loved me, and I said, “See you tomorrow,” and she said, “See you tomorrow,” and then she turned out the lights and closed the door almost-all-the-way.
As I turned on my side, I saw Margo Roth Spiegelman standing outside my window, her face almost pressed against the screen. I got up and opened the window, but the screen stayed between us, pixelating her.
“I did an investigation,” she said quite seriously. Even up close the screen broke her face apart, but I could tell that she was holding a little notebook and a pencil with teeth marks around the eraser. She glanced down at her notes. “Mrs. Feldman from over on Jefferson Court said his name was Robert Joyner. She told me he lived on Jefferson Road in one of those condos on top of the grocery store, so I went over there and there were a bunch of policemen, and one of them asked if I worked at the school paper, and I said our school didn’t have a paper, and he said as long as I wasn’t a journalist he would answer my questions. He said Robert Joyner was thirty-six years old. A lawyer. They wouldn’t let me in the apartment, but a lady named Juanita Alvarez lives next door to him, and I got into her apartment by asking if I could borrow a cup of sugar, and then she said that Robert Joyner had killed himself with a gun. And then I asked why, and then she told me that he was getting a divorce and was sad about it.”
She stopped then, and I just looked at her, her face gray and moonlit and split into a thousand little pieces by the weave of the window screen. Her wide, round eyes flitted back and forth from her notebook to me. “Lots of people get divorces and don’t kill themselves,” I said.
“I know,” she said, excitement in her voice. “That’s what I told Juanita Alvarez. And then she said . . .” Margo flipped the notebook page. “She said that Mr. Joyner was troubled. And then I asked what that meant, and then she told me that we should just pray for him and that I needed to take the sugar to my mom, and I said forget the sugar and left.”
I said nothing again. I just wanted her to keep talking—that small voice tense with the excitement of almost knowing things, making me feel like something important was happening to me.
“I think I maybe know why,” she finally said.
“Why?”
“Maybe all the strings inside him broke,” she said.
While I tried to think of something to say in answer to that, I reached forward and pressed the lock on the screen between us, dislodging it from the window. I placed the screen on the floor, but she didn’t give me a chance to speak. Before I could sit back down, she just raised her face up toward me and whispered, “Shut the window.” So I did. I thought she would leave, but she just stood there, watching me. I waved at her and smiled, but her eyes seemed fixed on something behind me, something monstrous that had already drained the blood from her face, and I felt too afraid to turn around to see. But there was nothing behind me, of course—except maybe the dead guy.
I stopped waving. My head was level with hers as we stared at each other from opposite sides of the glass. I don’t remember how it ended—if I went to bed or she did. In my memory, it doesn’t end. We just stay there, looking at each other, forever.
Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one.
PART ONE
The Strings
1.
The longest day of my life began tardily. I woke up late, took too long in the shower, and ended up having to enjoy my breakfast in the passenger seat of my mom’s minivan at 7:17 that Wednesday morning.
I usually got a ride to school with my best friend, Ben Starling, but Ben had gone to school on time, making him useless to me. “On time” for us was thirty minutes before school actually started, because the half hour before the first bell was the highlight of our social calendars: standing outside the side door that led into the band room and just talking. Most of my friends were in band, and most of my free time during school was spent within twenty feet of the band room. But I was not in the band, because I suffer from the kind of tone deafness that is generally associated with actual deafness. I was going to be twenty minutes late, which technically meant that I’d still be ten minutes early for school itself.
As she drove, Mom was asking me about classes and finals and prom.
“I don’t believe in prom,” I reminded her as she rounded a corner. I expertly angled my raisin bran to accommodate the g-forces. I’d done this before.
“Well, there’s no harm in just going with a friend. I’m sure you could ask Cassie Hiney.” And I could have asked Cassie Hiney, who was actually perfectly nice and pleasant and cute, despite having a fantastically unfortunate last name.
“It’s not just that I don’t like prom. I also don’t like people who like prom,” I explained, although this was, in point of fact, untrue. Ben was absolutely gaga over the idea of going.
Mom turned into school, and I held the mostly empty bowl with both hands as we drove over a speed bump. I glanced over at the senior parking lot. Margo Roth Spiegelman’s silver Honda was parked in its usual spot. Mom pulled the minivan into a cul-de-sac outside the band room and kissed me on the cheek. I could see Ben and my other friends standing in a semicircle.
I walked up to them, and the half circle effortlessly expanded to include me. They were talking about my ex-girlfriend Suzie Chung, who played cello and was apparently creating quite a stir by dating a baseball player named Taddy Mac. Whether this was his given name, I did not know. But at any rate, Suzie had decided to go to prom with Taddy Mac. Another casualty.
“Bro,” said Ben, standing across from me. He nodded his head and turned around. I followed him out of the circle and through the door. A small, olive-skinned creature who had hit puberty but never hit it very hard, Ben had been my best friend since fifth grade, when we both finally owned up to the fact that neither of us was likely to attract anyone else as a best friend. Plus, he tried hard, and I liked that—most of the time.
“How ya doin’?” I asked. We were safely inside, everyone else’s conversations making ours inaudible.
“Radar is going to prom,” he said morosely. Radar was our other best friend. We called him Radar because he looked like a little bespectacled guy called Radar on this old TV show M*A*S*H, except 1. The TV Radar wasn’t black, and 2. At some point after the nicknaming, our Radar grew about six inches and started wearing contacts, so I suppose that 3. He actually didn’t look like the guy on M*A*S*H at all, but 4. With three and a half weeks left of high school, we weren’t very well going to renickname him.
“That girl Angela?” I asked. Radar never told us anything about his love life, but this did not dissuade us from frequent speculation.
Ben nodded, and then said, “You know my big plan to ask a freshbunny to prom because they’re the only girls who don’t know the Bloody Ben story?” I nodded.
“Well,” Ben said, “this morning some darling little ninth-grade honeybunny came up to me and asked me if I was Bloody Ben, and I began to explain that it was a kidney infection, and she giggled and ran away. So that’s out.”
In tenth grade, Ben was hospitalized for a kidney infection, but Becca Arrington, Margo’s best friend, started a rumor that the real reason he had blood in his urine was due to chronic masturbation. Despite its medical implausibility, this story had haunted Ben ever since. “That sucks,” I said.
Ben started outlining plans for finding a date, but I was only half listening, because through the thickening mass of humanity crowding the hallway, I could see Margo Roth Spiegelman. She was next to her locker, standing beside her boyfriend, Jase. She wore a white skirt to her knees and a blue print top. I could see her collarbone. She was laughing at something hysterical—her shoulders bent forward, her big eyes crinkling at their corners, her mouth open wide. But it didn’t seem to be anything Jase had said, because she was looking away from him, across the hallway to a bank of lockers. I followed her eyes and saw Becca Arrington draped all over some baseball player like she was an ornament and he a Christmas tree. I smiled at Margo, even though I knew she couldn’t see me.
“Bro, you should just hit that. Forget about Jase. God, that is one candy-coated honeybunny.” As we walked, I kept taking glances at her through the crowd, quick snapshots: a photographic series entitled Perfection Stands Still While Mortals Walk Past. As I got closer, I thought maybe she wasn’t laughing after all. Maybe she’d received a surprise or a gift or something. She couldn’t seem to close her mouth.
“Yeah,” I said to Ben, still not listening, still trying to see as much of her as I could without being too obvious. It wasn’t even that she was so pretty. She was just so awesome, and in the literal sense. And then we were too far past her, too many people walking between her and me, and I never even got close enough to hear her speak or understand whatever the hilarious surprise had been. Ben shook his head, because he had seen me see her a thousand times, and he was used to it.
“Honestly, she’s hot, but she’s not that hot. You know who’s seriously hot?”
“Who?” I asked.
“Lacey,” he said, who was Margo’s other best friend. “Also your mom. Bro, I saw your mom kiss you on the cheek this morning, and forgive me, but I swear to God I was like, man, I wish I was Q. And also, I wish my cheeks had penises.” I elbowed him in the ribs, but I was still thinking about Margo, because she was the only legend who lived next door to me. Margo Roth Spiegelman, whose six-syllable name was often spoken in its entirety with a kind of quiet reverence. Margo Roth Spiegelman, whose stories of epic adventures would blow through school like a summer storm: an old guy living in a broken-down house in Hot Coffee, Mississippi, taught Margo how to play the guitar. Margo Roth Spiegelman, who spent three days traveling with the circus—they thought she had potential on the trapeze. Margo Roth Spiegelman, who drank a cup of herbal tea with The Mallionaires backstage after a concert in St. Louis while they drank whiskey. Margo Roth Spiegelman, who got into that concert by telling the bouncer she was the bassist’s girlfriend, and didn’t they recognize her, and come on guys seriously, my name is Margo Roth Spiegelman and if you go back there and ask the bassist to take one look at me, he will tell you that I either am his girlfriend or he wishes I was, and then the bouncer did so, and then the bassist said “yeah that’s my girlfriend let her in the show,” and then later the bassist wanted to hook up with her and she rejected the bassist from The Mallionaires.
The stories, when they were shared, inevitably ended with, I mean, can you believe it? We often could not, but they always proved true.
And then we were at our lockers. Radar was leaning against Ben’s locker, typing into a handheld device.
“So you’re going to prom,” I said to him. He looked up, and then looked back down.
Product details
- Publisher : Dutton Books
- Publication date : October 16, 2008
- Edition : First Edition
- Language : English
- Print length : 305 pages
- ISBN-10 : 0525478183
- ISBN-13 : 978-0525478188
- Item Weight : 1.05 pounds
- Reading age : 14 - 17 years
- Dimensions : 5.75 x 1.1 x 8.5 inches
- Grade level : 9 - 12
- Lexile measure : 850L
- Best Sellers Rank: #222,344 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

John Green is the award-winning, #1 bestselling author of Looking for Alaska, An Abundance of Katherines, Paper Towns, Will Grayson, Will Grayson (with David Levithan), and The Fault in Our Stars. His many accolades include the Printz Medal, a Printz Honor, and the Edgar Award. John has twice been a finalist for the LA Times Book Prize and was selected by TIME magazine as one of the 100 Most Influential People in the World. With his brother, Hank, John is one half of the Vlogbrothers (youtube.com/vlogbrothers) and co-created the online educational series CrashCourse (youtube.com/crashcourse). You can join the millions who follow him on Twitter @johngreen and Instagram @johngreenwritesbooks or visit him online at johngreenbooks.com.
John lives with his family in Indianapolis, Indiana.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book well-crafted with clever dialogue and compelling writing style, describing it as an adventure that holds readers spellbound. They appreciate the believable characters, particularly the strong female lead, and find the philosophical themes thought-provoking, with one customer noting how it delves into the human psyche. The book receives mixed feedback about its pacing, with some finding it totally engaging while others say the middle is a little draggy. The ending receives mixed reactions, with some loving the mystery while others feel the story isn't finished.
AI-generated from the text of customer reviews
Customers find the book engaging and well-crafted, with many describing it as their favorite from beginning to end.
"...As with Green's other books, the language here is elevated high school. These are all bright kids with big vocabularies and lofty ideas...." Read more
"...his writing is always tops, his character development the best and plots unique, I felt like I'd seen this one before. Twice...." Read more
"...The way this book was written was clever, witty, and with an intriguing plot that can be easily relatable, from adolescents to adults who are still..." Read more
"...Green's storytelling powers are quite strong, but ultimately, as with TFIOS, this book deflated like a disappointing souffle...." Read more
Customers appreciate the writing style of the book, finding it compelling and easy to read with heart, featuring clever dialogue.
"...get heavy handed, but for the most part, Green reins it in with tight writing and an authentically teenage aura that's difficult to explain...." Read more
"...Though his writing is always tops, his character development the best and plots unique, I felt like I'd seen this one before. Twice...." Read more
"...The way this book was written was clever, witty, and with an intriguing plot that can be easily relatable, from adolescents to adults who are still..." Read more
"...Their conversations sounded like conversations, complete with run-ons and genuinely hilarious moments, in which characters concoct elaborate..." Read more
Customers find the book engaging, with the beginning grabbing their attention and keeping them spellbound throughout.
"...in a sentence Paper Towns is a quirky, hilarious adventure that's a little bit about romance, a lot about friendship, and mostly about..." Read more
"...John Green has written some of the most interesting and entertaining secondary characters, and those in Paper Towns are no exception...." Read more
"...Margo is known around the school as an adventurous, intelligent, and a highly admired person. Quentin admires her from afar for most of his life...." Read more
"...Overall, "Paper Towns" is a compelling and beautifully written novel that invites readers to look beyond the surface and understand the complexities..." Read more
Customers appreciate the character development in the book, finding them believable with heightened emotions typical of high school students, and particularly enjoying Quentin as the main character.
"...He's an outgoing, witty, affable guy who seems, as an adult at least, to be able to put his finger on the pulse of the American Teenager..." Read more
"...known around the school as an adventurous, intelligent, and a highly admired person. Quentin admires her from afar for most of his life...." Read more
"...And in saying I thought the characters were strong, this doesn't mean that I always found all of them likeable, but for me that was part of the book..." Read more
"Well-defined characters are hard enough to do. Well-defined characters who will come across differently to everyone are much harder to write...." Read more
Customers find the book thought-provoking, with its philosophical themes and metaphors making them reflect deeply.
"...Margo is known around the school as an adventurous, intelligent, and a highly admired person. Quentin admires her from afar for most of his life...." Read more
"...While the book’s philosophical themes are thought-provoking, some readers may find the pacing slow at times, and the ending, though fitting, might..." Read more
"...This is an important concept for adolescents whether its read in this book or another place...." Read more
"...This made it easy for me to read and understand the progresses that the story is making...." Read more
Customers enjoy the book's humor, describing it as a hilarious adventure with laugh-out-loud frivolity and witty banter between characters.
"...in a sentence Paper Towns is a quirky, hilarious adventure that's a little bit about romance, a lot about friendship, and mostly about..." Read more
"...He's an outgoing, witty, affable guy who seems, as an adult at least, to be able to put his finger on the pulse of the American Teenager..." Read more
"...The way this book was written was clever, witty, and with an intriguing plot that can be easily relatable, from adolescents to adults who are still..." Read more
"...sounded like conversations, complete with run-ons and genuinely hilarious moments, in which characters concoct elaborate sentences just for the sake..." Read more
Customers have mixed opinions about the ending of the book, with some appreciating its unpredictable nature and mystery elements, while others find the plot weighed down at times and feel the story doesn't seem finished.
"...quirky, hilarious adventure that's a little bit about romance, a lot about friendship, and mostly about finding the real people behind the masks." Read more
"...On the other, it was banal and far-fetched, and kind of cliched...." Read more
"...in every section were very intricate and have a flowing theme throughout the whole story, which is self-discovery...." Read more
"...First off, Green makes it clear that this is no love story. Thank goodness...." Read more
Customers have mixed opinions about the pacing of the book, with some finding it totally engaging and pulling them in, while others mention that the middle section feels a little draggy.
"...He's an outgoing, witty, affable guy who seems, as an adult at least, to be able to put his finger on the pulse of the American Teenager..." Read more
"...The ending also left me unsatisfied. It felt unresolved and while I realize this can work in some cases, here I just felt like I needed closure...." Read more
"...Though I did enjoy the road trip, my ardor for the book cooled a bit by that point, as the mystery of Margo's disappearance was inherently more..." Read more
"...person and that was part of his thought process but his lists were fairly repetitive and did not aid in the understanding of the scenario...." Read more
Reviews with images

Nostalgic
Top reviews from the United States
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- Reviewed in the United States on July 21, 2015Read more: http://www.sarcasmandlemons.com/2015/06/review-paper-towns-by-john-green.html
in short
If you've read one John Green, you've read them all. That's not necessarily a criticism. It's just, Green has a formula: nerdy guy with big dreams, quirky manicpixiedreamgirl. If you don't like that formula, you probably won't dig Paper Towns. However, I'm very much a drinker of the John Green Kool-aid, so I really had fun with this book. Despite being a cheerier version of Looking for Alaska, it's got plenty of its own punch and panache. One night of pranks and revenge turns into a slapdash game of Clue, with Q as our awkward, endearing detective. Margo could have just run away--or perhaps something dire has happened. What I really loved about this book was the focus on friendship. With Margo only an idea for much of the book, the plot centers on Q, his best friend Ben, and Margo's best friend Lacey. They come together to find Margo, and end up finding kindred spirits in each other. It's a light, refreshing, kooky high school story with a kickass ending that justified any ridiculousness in the plot. (If they change the ending for the movie, I'm going to mutiny!)
in depth
it's sort of a romance
At the start, there's Margo. She was Q's best friend when they were little. They played together, skinned their knees together, found a dead body together. You know, typical friend things. But alas, Margo was a flighty ball of sunshine. She became popular, and Q faded to the background. Until one night, Margo appears outside Q's window. She takes him on a crazy revenge mission and then disappears, leaving him the only clue to her fate. And so, the book is about finding her, literally. The romance between her and Q develops largely in Q's head, in memories and in this strange connection they shared. Green does a fantastic job of highlighting real Margo versus the Margo in Q's head, and how love can't be formed from an idea. So, it's less a classic romance with making out and swoons and more of a search for a love that may be.
but it's more of a road trip.
Even moreso, it's a crazy road trip story. Finding Margo is the thread and the endgame, but the plot is in the process. Q is joined by his friend Ben, a delightfully bizarre, hilarious human who's much more my type. Their friendship is strong and believable. They have each other's back and they're not afraid to call each other out--which must happen, as Q's obsession becomes more toxic and self-centered. Then enter Lacey, Margo's best friend, and a prototype of popular. She also happens to be sweet, clever, and a delightful amount of snarky. They may be on a clue hunt, but it's the growing friendship, banter, and growing up experience between them that gives this book its heart.
there's a mystery element
Don't get me wrong, though. The mystery of Margo is still crucial to the book. Yes, it's partly a metaphor for finding yourself and finding the truth about people, but it's also literally about finding Margo. There's a serious undertone to the frivolity: what if she didn't just runaway? That possibility keeps the tension and stakes high. I also just liked the idea of the chase. As the trio moves from clue to clue, they discover this hidden Margo that doesn't quite match the Margos they each knew. It's a fascinating concept, piecing someone together from what they leave behind--and it draws into focus the fact that everyone has masks. As Q peels away Margo's layers, the fantasy and reality of Margo come to an emotionally brutal collision.
and a bit of philosophical darkness
One question underlying the whole chase is, of course, why did Margo run away? Many readers may have difficulty sympathizing with her. She's pretty, popular, and has a good home life. Everyone loves her. She's talented. And unfortunately, that's what I hear all the time: "Nothing is really bad about my life. I don't deserve to be depressed." And that's just bull. Margo's character, histrionic and self-centered as she is, highlights the fact that external signs of so-called perfection aren't always enough to make someone feel whole. People with nice parents can feel depressed. They can feel trapped. And, yes, they can feel like their lives are made of paper cutouts, and yearn for something real.
all in john green's signature cheeky wit
It's a little pretentious, but John Green's just so darn endearing that he can get away with it. He gives Q his signture self-effacing humor. You just can't help but like the guy, even when you want to punch him because he's being a little twit. As with Green's other books, the language here is elevated high school. These are all bright kids with big vocabularies and lofty ideas. The philosophizing can get heavy handed, but for the most part, Green reins it in with tight writing and an authentically teenage aura that's difficult to explain. Plus, it's freaking hilarious. There were so many parts that made me laugh out loud, i.e. every time Ben opened his mouth. Green's dry, quick wit gets me every time, and makes what could be a dense melodrama into something light and affecting.
in a sentence
Paper Towns is a quirky, hilarious adventure that's a little bit about romance, a lot about friendship, and mostly about finding the real people behind the masks.
- Reviewed in the United States on May 12, 2015Having read almost all of John Green's published works, I still had Paper Towns to devour. Like many zealous readers, I'd much rather finish the book before seeing a movie adaptation that Hollywood tells me is going to be just as good. Since the film is going to be released this summer, I figured it was time to get to it.
John Green has perfected the passive main character. In his previous publications, Looking for Alaska and An Abundance of Katherines, he uses his fish-out-of-water protagonist to serve as the sounding board/voice of reason/"normal" person for the sparkling, fresh and slightly off-kilter/manic-pixie-dreamgirl with hidden depths. This MC, usually a boy, never initiates the encounter. No, though he thinks about and pines for the girl, he's too nerdy or shy or insecure to be the initiator. It is always up to the female to serve as a catalyst. It's the same here in his third book, Paper Towns.
Quentin Jacobsen lives next door to Margo Roth Spiegelman. Friends when they were younger, they've grown apart as kids do. She went the popular route, he, not so much. He has always had a crush on her, but there's also an admiration for her ability to be able to handle anything - she's strong; unflappable. Then, one night, out of the blue, she knocks on his window and takes him on a mission to right some wrongs. How can he say no?
After a night of mild-to-crazy antics and a lot of deep conversation, Quentin can't wait to see what happens at school on Monday. But then Margo doesn't show, and after a few days, when she still has not returned, Quentin decides to put together some clues she's left and, with his loyal group of friends, go find her. The question is, will he be able to accept what he finds?
Who is Margo Roth Spiegelman, really? And is it fair to put someone on a pedestal or in a box and never let them be an actual real, changing human? What if we discover that maybe there's more to them than that? And does every quiet person need to go big at least once? What does it mean to live your life to the fullest?
John Green has written some of the most interesting and entertaining secondary characters, and those in Paper Towns are no exception. Some authors seem to drown their primaries with all the adjectives while those in the background (or sideground) get a sprinkle - an outline, really, so you know their "type" and how they will react in situations encountered by the mains. Not only is this boring, it removes several layers of "real" that gives so much depth to stories. Naturally, you should know more about the protagonist, and you certainly shouldn't have to wade through paragraphs and pages and chapters of detail that isn't either crucial to the story or is going way overboard, but having that extra flavor adds a genuineness, a credibility, even, that makes the story solid and authentic.
After watching many episodes on Mental Floss, Mr. Green's YouTube presence, maybe, like me, you get the idea that JG is writing about himself. He's an outgoing, witty, affable guy who seems, as an adult at least, to be able to put his finger on the pulse of the American Teenager (both Nerd and Not-Nerd models). But I have gotten in the habit of picturing him as his main characters in his books (which isn't hard, considering his boyish looks). Do you?
I know many people consider this to be their favorite of all of his writings, including 2012's mega-hit The Fault in Our Stars. I actually had to mull things over for a bit to know how I felt. While I liked the story, I wasn't crazy about it. Maybe if I hadn't just read An Abundance of Katherines recently, it would have resonated with me more. Though his writing is always tops, his character development the best and plots unique, I felt like I'd seen this one before. Twice. I absolutely get why teens (especially) will love this story, but it wasn't my fav. Don't hate me.
Paper Towns by John Green was published September 22, 2009 by Speak. Ink and Page purchased this ebook from Amazon.
Rating: 3.5
Genre: Young Adult Fiction Contemporary
Ages: 13 and up
FYI: Sexual situations, underage drinking, drugs, vandalism
Top reviews from other countries
- Ms. J. ClarkeReviewed in the United Kingdom on September 2, 2011
5.0 out of 5 stars A hilarious adventure!
Let me start by saying that my fellow passengers on my bus home today must all think I'm completely nuts
after this book had me laughing out loud! I thoroughly enjoyed every second of this book and so glad this was
bought me as a gift!
The story is from the point of view of Q otherwise known as "Quentin" and his relationship with a very mysterious
girl named Margo Roth Spieglemann. A girl who Q has known most of his life. He describes Margo as being his miracle,
because of all the places in all of Florida Margo moved in next door to him. He's always been in awe of Margo
thinking her a complete mystery, someone exciting and surprising, and unattainable. As they grow up they drift apart
and Q goes to admiring her form afar. However, even though Q and his friends are on the botoom end of the pecking
order at school, his one time friendship with Margo has kept them protected from the bullies.
The story starts mere weeks before graduation and Margo turning up with a painted black face at his window very
late at night, determined to get him to be her wheel man whilst she carries out her epic plan for the people
in her life who she feels have wronged her. Mostly because of his secret affection for her he evntually agrees to
go along with her schemes and ultimately has the most amazing night of his life. The next day Margo has vanished.
Everyone tells him that she's just after attention and will turn up but Q is left very worried and determined to
track her down. He finds what appear to be clues in her bedroom and with the help of his two hilarious friends
Ben and Radar he begins a quest to figure out the clues and ultimately bring Margo back to Orlando.
We follow Q through his investigations, his desperate searches and constant wonderings, trying to figure out
who the real Margo was hoping that might lead him to her. Its very funny and also sad and heartwarming.
He cares for her so much, but he doesn't really know her and only figures it out once he really sees Margo
for who she really is and not who he wants her to be.
John Green has a unique way of writing. Its incredibly descriptive in that I could easily picture the world he
was creating and all the things and crazy antics that happened in the book. His characters were spot on and he
writes humour very effectively. I don't know if I've ever read anything funnier that when one character
confesses that he can't take his girlfriend home because his parents own one of the worlds largest collections
of black santas! John Green could easily become on of my fav authors. 've already ordered "Looking for Alaska"
I can't recommend this highly enough. If you want a story with heart, epic road trips and adventures and a bit
of meat to it, then you won't be disappointed by this!
- Andy JacksonReviewed in Sweden on December 15, 2023
5.0 out of 5 stars My son loved this book
That my son finally found something he enjoyed reading
- MokitokiReviewed in Japan on February 16, 2013
5.0 out of 5 stars Suspenseful and amazing!
Makes you think about how much you really know someone and if your projections of that person reflect the real them or not.
-
Miguel Ángel García ÁlvarezReviewed in Mexico on August 29, 2018
5.0 out of 5 stars Buen producto
Fue un regalo, el envío a tiempo y la calidad es buena.
-
WortmagieReviewed in Germany on October 1, 2014
5.0 out of 5 stars Kapitän Ahab jagt Walt Whitman
"Paper Towns“ habe ich im Rahmen der John-Green-Lesewoche gelesen, die von einer befreundeten Bloggerin initiiert wurde. Eine Woche lang lasen wir gemeinsam Bücher dieses Autors und beantworteten Fragen, die sie sich ausgedacht hatte. Für mich war diese Woche die erste Annäherung an John Green, der zurzeit wahnsinnig erfolgreich mit seinem Werk „The Fault in our Stars“ / „Das Schicksal ist ein mieser Verräter“ ist. Trotzdem war es nicht dieses Buch, das seit einiger Zeit auf meiner Wunschliste stand, sondern „Paper Towns“.
Quentin Jacobsen kennt Margo Roth Spiegelman seit Kindertagen. Doch wie das eben so ist wenn Kinder erwachsen werden, haben sie sich mit den Jahren auseinander gelebt. Umso überraschter ist Quentin, als Margo eines Abends an sein Fenster klopft und ihn wie ein Ninja gekleidet zu einem wilden Ausflug entführt. Sie erleben eine magische Nacht und Quentin hofft, dass er Margo nun wieder näher kommt, doch am nächsten Morgen ist sie verschwunden. Anfangs denkt sich niemand etwas dabei, denn schon früher brannte sie des Öfteren einfach für ein paar Tage durch. Aber dieses Mal ist es anders. Margo hinterließ Hinweise, die eindeutig für Quentin bestimmt sind. Er folgt ihrer Spur aus Brotkrumen und sucht das Mädchen, das er seit seiner Kindheit kennt. Doch je weiter er vorankommt, desto klarer wird ihm, dass sich am Ende dieser Spur eine völlig andere Person befindet, die vielleicht nicht auf ihn wartet.
Ich fand „Paper Towns“ überraschend tiefsinnig. Ich hatte nicht damit gerechnet, dass John Green sich mit der Spannung zwischen der Realität und der Illusion einer Person beschäftigt, doch genau darum geht es meiner Meinung nach. Quentin hatte dieses idealistische Bild von Margo, das er jahrelang gehegt, gepflegt und erweitert hat. Im Laufe der Schnitzeljagd erkennt er jedoch, dass es eben auch genau das war: ein Bild, zweidimensional und ohne echte Tiefe. Durch ihre Hinweise verrät Margo ihm eine Menge über ihre wahre Persönlichkeit, die nur bedingt etwas mit der Fassade zu tun hat, die sie sorgsam aufrechterhielt. Erstaunlich ist, dass Quentin auf diese Weise nicht nur viel über Margo lernt, sondern auch über sich selbst. Ohne es anfangs zu ahnen, begibt er sich auf eine transformative Reise. Ich glaube, ihm ist das ganze Buch über nicht bewusst, dass Margo in gewisser Weise nur eine Stellvertreterin ist. Ja, er sucht sie, aber eigentlich sucht er sich selbst und mit jedem Schritt in Richtung der echten Margo wird auch er selbst ein bisschen echter. Dieser Selbstfindungsprozess ist in meinen Augen auch der Grund, warum Quentin sich ab einem bestimmten Punkt ziemlich obsessiv verhält. John Green hat diese Fixierung wunderbar herausgearbeitet, indem er sich eines literarischen Gleichnisses bediente. Es ist garantiert kein Zufall, dass Quentin ausgerechnet „Moby Dick“ im Unterricht liest, denn er hat durchaus Ähnlichkeit mit Kapitän Ahab. Margo hingegen hat eine Schwäche für die Gedichte von Walt Whitman, was mich dazu brachte, darüber nachzudenken, inwiefern sie durch seine Werke repräsentiert wird, während sie selbst abwesend ist. Ich glaube, es geht gar nicht um ein spezielles Gedicht, wovon Quentin überzeugt ist, sondern eher um Whitmans Art und Weise zu schreiben. Den weiten Interpretationsspielraum, den er seinen LeserInnen lässt.
Mir ist noch ein weiterer Punkt aufgefallen, den ich für ein literarisches Gleichnis halte. Quentins Englischlehrerin heißt Dr. Holden. Klingelt es da bei euch? Holden. Wie in Holden Caulfield. „Der Fänger im Roggen“. Einer der populärsten Analyseansätze geht davon aus, dass dieses Buch von J.D. Salinger primär eine Kritik an der amerikanischen Gesellschaft und an der Idee des amerikanischen Traums ist. In „Paper Towns“ ist es Margo, die eine ähnliche Kritik äußert; sie empfindet das Leben im Inbegriff des amerikanischen Traums – der Vorstadt – als flach und farblos. Es ist äußerst interessant, dass Dr. Holden diejenige ist, die Quentin hilft, Whitmans Gedicht „Song of Myself“ zu interpretieren und ihm damit den Schlüssel zum Verständnis von Margo schenkt. Das kann kein Zufall sein. Guten AutorInnen passiert so etwas nicht einfach so. Ich glaube nicht, dass John Green nur zufällig über diesen Namen gestolpert ist.
Ich habe die John-Green-Lesewoche mit der Lektüre von „Paper Towns“ wirklich genossen. Es hat mir viel Spaß gemacht, mit Quentin auf die Reise zu gehen; herauszufinden, was es bedeutet, eine andere Person wahrhaft zu kennen und was dafür nötig ist. Ich hätte nie gedacht, dass mich so viel Tiefgründigkeit erwartet, unterstützt von Figuren, die nicht nur sympathisch sind, sondern mir auch rasant ans Herz wuchsen. Es hat mich begeistert, dass John Green nicht nur hypothetisch über die Facetten und das Ausleben einer Persönlichkeit schreibt, sondern seine Überlegungen auch umfassend auf seine Charaktere überträgt. Sie alle sind lebendig und glaubhaft.
Ich verstehe nicht, warum „Paper Towns“ bei vielen John Green – Fans weniger gut ankommt, denn ich fand es toll. Ich musste nur einen Blick hinter die Fassade werfen.