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Resist: Stories of Uprising (History-into-Fiction) Hardcover – 17 Oct. 2019
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One of '30 books for autumn 2019' at iNews.
'Resist is about how important it is to question the status quo as governments and right-wing movements attempt to set our agenda.' - Stylist
At a time that feels unprecedented in British politics - with unlawful prorogations of parliament, casual race-baiting by senior politicians, and a climate crisis that continues to be ignored - it's easy to think these are uncharted waters for us, as a democracy.
But Britain has seen political crises and far-right extremism before, just as it has witnessed regressive, heavy-handed governments. Much worse has been done, or allowed to be done, in the name of the people and eventually, those same people have called it out, stood up, resisted.
In this new collection of fictions and essays, spanning two millennia of British protest, authors, historians and activists re-imagine twenty acts of defiance: campaigns to change unjust laws, protests against unlawful acts, uprisings successful and unsuccessful - from Boudica to Blair Peach, from the Battle of Cable Street to the tragedy of Grenfell Tower. Britain might not be famous for its revolutionary spirit, but its people know when to draw the line, and say very clearly, '¡No pasarán!'
Featuring, among many others: Women's Prize winner Kamila Shamsie on the Cato Street Conspiracy, and James Tait Black Prize winner Eley Williams on the Rebecca Riots.
This project has been supported by the Barry Amiel and Norman Melburn Trust and the Lipman-Miliband Trust, as well as Arts Council England. Part of Comma's 'History-into-Fiction' series.
- Print length464 pages
- LanguageEnglish
- PublisherComma Press
- Publication date17 Oct. 2019
- Dimensions13.97 x 3.81 x 20.32 cm
- ISBN-101912697076
- ISBN-13978-1912697076
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'What a clever idea for a book... It works admirably.' --The Irish Times
'There's never a bad time to be reminded that, when things got bad enough, ordinary Britons would fight back.' --The Herald
About the Author
Product details
- Publisher : Comma Press
- Publication date : 17 Oct. 2019
- Language : English
- Print length : 464 pages
- ISBN-10 : 1912697076
- ISBN-13 : 978-1912697076
- Item weight : 1.05 kg
- Dimensions : 13.97 x 3.81 x 20.32 cm
- Part of series : History-into-Fiction
- Best Sellers Rank: 979,015 in Books (See Top 100 in Books)
- 3,885 in Fiction Anthologies (Books)
- 17,246 in Short Stories (Books)
- 35,265 in Historical Fiction (Books)
- Customer reviews:
About the authors
Luan Goldie is a Glasgow born novelist, short story writer and teacher from East London.
Her work has been nominated for several literary awards including the Women’s Prize for Fiction and the Royal Society of Literature Ondaatje Prize. Her novels for adults include Nightingale Point, Homecoming and These Streets (HarperCollins).
In 2018 she won the Costa Short Story Award, and her short stories have appeared in Stylist, HELLO! Magazine and the Sunday Express. She was also one of thirteen writers invited to CERN to collaborate with physicists for Collision, a short story collection.
Goldie’s series of books for children aged 9+ was released in 2024. Skylar and the K-pop Headteacher was followed by Oops, I Kidnapped a Pharaoh! (Walker Books) and Skylar and the K-pop Principal (Candlewick Press, USA).
A former primary school teacher, Goldie now runs creative writing workshops for children and adults. She has worked with Arvon and Spread the Word and is a First Story Writer-in-Residence.
You can find her on Instagram at /luangoldie
Eley Williams' collection of short stories Attrib. & Other Stories (Influx Press, 2017) won the Republic of Consciousness Prize and the James Tait Black Memorial Prize. Her writing appears in The Penguin Book of the Contemporary British Short Story, Liberating the Canon, the TLS and the London Review of Books. She is a Fellow of the Royal Society of Literature.
Author photo © Idil Sukan.
Jude Brown grew up in Middlesbrough, a town in the north east of England. She has lived in London, Liverpool, Reading and Sydney and travelled widely in Europe. She has also visited the USA, Canada, Indonesia, Australia and Hong Kong. A career butterfly she's worked as a secretary, nurse, designer, art therapist and creative writing tutor.
She moved to Sheffield, England, to study an MA in Creative Writing where she began writing His Dark Sun, her debut novel. Her short stories and poems have been published in several anthologies and her work has been shortlisted for the Bridport and Raymond Carver Short Story Prizes. She is the recipient of a Northern Writers’ Award and an Arts Council Award. His Dark Sun is published by Mayfly Press, a member of the Northern Fiction Alliance, and part of New Writing North and Moth Publishing.
At the age of ten she spent her summer break writing a full length children's book, which she typed up on a Petite typewriter. She moved house a year later and the manuscript got lost in transition after the family decluttered. She is still sore about it and remains a fully paid-up hoarder.
SJ Bradley is an award-winning writer from Leeds, UK. She is the winner of a K Blundell Trust and a Saboteur Award, and was a recent graduate from Cambridge University's Teaching Creative Writing PGcert, attending with a scholarship from First Story. She was director of the Northern Short Story Festival for five years, has taught short story writing for Comma Press and First Story in schools in Leeds and Bradford, and has been shortlisted for the Willesden Herald and Gladstone Writers in Residence awards. Connect with her on Instagram, Twitter & Bsky @bradleybooks.
Lucas Stewart is an award winning author and literature programmer. Born in the UK he has spent over 20 years living in Asia and Africa, including Iraq, Sudan and Myanmar. A former Literature Advisor to the British Council he has advised leading international literature organisations such as PEN International, the Publishers Circle Delegation, Index on Censorship, the UK’s National Centre for Writing, Asia House and the Hedda Foundation on transitional literature and literary industries in Myanmar.
His debut non-fiction book The People Elsewhere: Unbound Journeys with the Storytellers of Myanmar (Penguin/Viking 2016) was shortlisted for the 2018 Saroyan International Prize for Writing. Other non-fiction, on ethnic nationality literature and wider literary censorship, have been published widely including Pen America, The Diplomat and the Asia Literary Review.
He is co-editor, with Alfred Birnbaum, of Hidden Words, Hidden Worlds: Contemporary Short Stories from Myanmar, (British Council, 2017), the first anthology of translated ethnic Myanmar short stories published in the UK.
His own short stories have won the national DA Prize for Short Fiction, nominated for Best of the Net and appeared in multiple places including twice anthologized by UK ‘Northern Publisher of the Year’, Comma Press (most recently Resist: Stories of Uprising, Oct 2019).
Website: www.sadaik.com
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- Reviewed in the United Kingdom on 26 March 2020Thoroughly enjoyed - I'm not normally one to read fiction but this mixture of short stories followed by an analysis chapter worked really well.
- Reviewed in the United Kingdom on 29 February 2020"It's septic, this country - how we live side by side, so much to so little."
Resist is a sharp and poignant discussion on the contrasts of life in the UK, of those with less constantly having to stand up against those with more. It’s bold and unflinching; an unambiguous demonstration of how poorly so many in the country have been treated, of how many men and women over the centuries have had to give their lives to ensure progress is not lost.
As explained in the introduction, Resist focuses not on uprisings that moved progress forward, but on those that made sure it was held as a constant. This focus meant many of the movements discussed were ones I hadn’t heard of before, and I’m glad to finally be aware of them now. The book is structured in chronological order, with each fictional story about an uprising accompanied by a factual explanation of events and their impact. As the events move towards more recent history, many explanations are written by those present at - and in some cases, orchestrating - the uprisings. A couple of the histories of older events seemed a bit dry, or maybe trying to cover just too much ground in a brief essay. But I was particularly moved by Jo Blackman's write up of Seeds of Hope, and especially her frank discussion of how they broke down their fears about possible imprisonment, disarming their fears as powerfully as they disarmed the plane. I found her question of "If I really believe that this jet will be used to bomb civilians, then what is my responsibility as a human being?" remarkably impactful, and one I know will be lingering in the back of my mind for a long time: how often do we simply close our eyes and look the other way rather than facing up to our responsibilities?
The whole collection is full of similarly powerful accounts; it is impossible to read it without questioning what your own role should be.
The uprisings take place all over the UK, and the lack of emphasis on London was refreshing, particularly in the first half, where all of the events happen elsewhere. It’s a collection that consciously draws out women’s role in these events – not just supporting quietly behind the scenes, but fighting and risking and changing.
The short stories breathe life and colour into each event. A powerful standout for me was Kamila Shamsie’s story on the Cato Street Conspiracy. I loved how this demonstrated the impact of events echoing down through society – repercussions cascading through generations and across continents. I found it a valuable piece in highlighting the extent to which ‘normal’ people were complicit in movements like the slave trade. It can be difficult to identify how unjust some of our own practices can be when those are all we are familiar with, and this story refuses to allow anyone to plead privileged ignorance.
I also really loved Gaia Holmes’ story on the Newbury bypass, a powerful, visceral and lyrical piece capturing an event which I'd never heard of, despite being alive when it happened, and I was fascinated by the tales of men dressing in women’s clothing during the Rebecca Riots. The Seeds of Hope story was just as gripping as the write-up accompanying it.
Luan Goldie’s piece on the Ford Dagenham Women’s Strike was a much-needed reminder that so many of these events are still within living memory. It’s an evocative consideration of how little we know about family memories, of how little we sometimes care about our own history until it is too late.
“Deep structural change rarely happens without civil disobedience” reminds Jo Blackman. The challenge of Resist is implicit: how are we pushing back against those creating the rules? Have we lost the sense of urgency and passion held by those who have died fighting for these causes? Have we forgotten that for justice to be upheld, sometimes we have to get our hands dirty?
Resist is a timely pulling together of the threads that run throughout history of division and injustice, of courage and of people refusing to lose hope in fighting for a better world. The parallels to today are endless, but it is impossible to finish this book without a deep sense of optimism, buoyed by a strong sense of unity in the fight for a better, more just world.